#RWBY Analysis

[greenteaandtattoos]

the way in the v9 poster, wby are surrounding ruby but not really seeing her, causing her to feel trapped and smothered.

but then in the new art, wby are behind her. they are giving her space to breathe but they're right there, watching, ready to catch her in case she falls.

[phoenix-fell]

As someone who is both an older sister and raised their younger sibling, let me tell you why this scene was so good

It would be so easy to misinterpret Yang’s protectiveness over Blake here, but that’s not what’s happening. We’ve always seen Ruby as happy-go-lucky, follow-your-heart and do-the-right-thing, and it’s easy to forget that Yang raised Ruby, and the implied subtext there is that it *wasn’t* always sunshine and rainbows.

Yes, Yang is protective over her newfound relationship. Yes, she’ll maybe feel a little wounded that her sister is lashing out. But what we see here is Yang shifting ever so subtly into mother-mode. Yang knows this isn’t about Blake, or her and Blake’s relationship, she’s stepping in front of Blake to protect her before Ruby can say or do something she regrets. In essence, protecting both of them and trying to control the situation from escalating. Yang is stepping in front because she can take it, she’s GIVING her someone to yell at, because god knows she’s probably had to, at some point, take some lip in the past while the others have only ever known her as a strong, positive leader. She doesn’t shout at Ruby, she’s calm, lets her get it out and just looks sternly with a simple “Hey!” as in, ‘hey, that’s enough now’. 

Yang has expressed concern, and is concerned, but this is 100% Yang shifting into parent mode. This is brilliant because earlier in the episode and even last episode we’ve seen examples of Yang’s ‘concerned big sister’ side which is soft and supportive. There’s no malice in Yang’s expression, and it’s difficult to catch it because we haven’t had the best representations of ‘good mothers’ in the show, especially not ones that have had to chastise their kids at some point, but you can bet your ass that this is Yang’s parental mode stepping in to bring calm and stability to a chaotic situation. And that doesn’t always present as ‘let’s hug this out’, sometimes it’s stern, tough love and recognising that the younger one isn’t in the space to receive comfort, so the best you can do for them is diffuse the situation and be an authoritative voice of reason because she recognises her sister’s fragile mental state.

This is without going into how amazing Ruby’s portrayal was. Going after your sister’s new relationship is RAW, and personal, but it’s also what siblings do - they lash out sometimes when they’re under stress. The way Ruby says ‘we’re sOoOo happy for you by the way good for you’ - just SMACKS of younger sibling cutting loose and saying something they don’t mean, which makes Yang’s response all the more realistic for me. She recognises the tone, the almost-petulance and steps in before it can go any further.

It’s so subtle, but it SPOKE to me so massive kudos to Miles Luna and the animators for this. And god bless the clowns that use it as some sort of Anti-Bees discourse - the nuance is entirely lost on you.

[lunaefall]

Looking back, this might actually be my favourite scene in the entire show (even if v5 was a mess).

The quote, "You're my daughter after all," hits different now. And I'll explain why.

Yang is nothing like Raven, because she's no coward who'll run. As she said, she'd face Salem when the time comes unlike Raven who'll just run away.

And in v8, this is exactly what she did.

So when Yang ignored her and walked past her, choosing to fight even in such an awful situation, it reminded her of the mission that killed Summer — where she too walked past Raven, willing to fight on even with the stakes.

And now we finally know why she cried — she realised Yang was always Summer's daughter, never hers.

[sunnysunsins]

New episode is up!

This time with a fully rendered illustration:

Look at them being silly together~

[asm5129]

I know this is NOT a popular take in the RWBY FNDM but y’all…I love Jaune Arc. He’s such a refreshing, interesting male character.

He’s Ruby’s best friend, and the two of them parallel each other in such FASCINATING ways. I’m planning a full video essay on this but as some examples:

1) They both have hero complexes, obviously.

2) Ruby is a prodigy who earns her place at beacon two years early, while Jaune cheated his way in and needs to work constantly outside of his school training to be anywhere near capable of huntsmen level combat

3) Jaune’s pain is loud and disruptive, Ruby’s pain is quiet and suppressed (examining their respective expressions of pain through the lens of gender expectations is REALLY interesting)

4) Ruby inherits silver eyes, an invaluable tool in fighting Grimm. Jaune inherited a regular sword, heavily outclassed by most of his peers.

5) Ruby made her weapon but modeled it after her mentor, Jaune had a hand-me-down

6) Ruby leads by developing plans and taking action, Jaune leads by supporting his team and bolstering their strengths with his own.

I’m sure there’s more too but those parallels are why their conflicts in vol 9 work so well for me, they are partners in narrative from literally the second episode.

I also just adore the commentary on masculinity with Jaune. From day one he was deconstructing traditional ideas of masculinity and patriarchal concepts of heroism.

The way he has to learn to reject so many of the things that blockbusters with men at the center have been pushing for decades is fantastic. He tried to pursue revenge like John Wick or Iron Man and it went HORRIBLY.

He can fight when necessary but it’s not where his true strength lies and that’s SO COOL for a male character.

I dunno y’all I just think he doesn’t deserve the hate. He doesn’t butt in on other stories nearly as much as people claim—in terms of Ruby, he actually serves her story quite a bit—and he is a character worth following in and of himself.

[misstrashchan]

I know people have picked up on the board game scene in RWBY V2 Episode 2 (Welcome to Beacon) as foreshadowing the events of the show, but for funsies I want to take a stab at how it foreshadows the general arcs of each four kingdoms myself.

So we have Blake playing as the Kingdom of Vale, and she's completely unaware of the events of the game unfolding and not really paying attention, clearly distracted.

"Alright Blake, it's your turn!"

"Huh? Sorry, what am I doing?"

"You're playing as Vale, trying to conquer the four kingdoms of Remnant!"

"...Right."

The Vale arc is the first three volumes of RWBY, where all our protagonists are at Beacon, but during that time, much like Blake during the game, they're unaware of the larger conflict with Salem, and aren't actively participating in the war at that point. They are ignorant and reactive instead of active. However it's ironic that Blake plays as Vale, since the reason she's not paying attention to the game and seems distracted is because, out of all the main characters in the Vale arc, she is the one most concerned about being kept in the dark and that they're ignorant as to what's really going on.

Blake: I just, I don't understand how everyone can be so calm.

Ruby: (approaching Blake) You're still thinking about Torchwick?

Blake: Torchwick, the White Fang, all of it! Something big is happening and no one is doing anything about it!

She also leaves the game during her turn, much like how she runs away after the FoB and the end of the Vale arc.

"Right. Well, I think I'm done playing, actually"

Yang is playing as Mistral, and she's the most savvy and knowledgeable (hah) player, winning many rounds of the game, teaching Weiss how to play, and has the other players falling into her trap cards.

"Heh, pretty sneaky sis, but you just activated my trap card!"

There's two ways this can be interpreted, with how the Mistral arc (volumes 4-6) is when our protagonists start to gather more knowledge and awarenesses of themselves and the world. It's also in Mistral that our heroes have their most decisive victory so far. It's fitting to have Yang playing as Mistral then, since during the Mistral arc she's the one who who learns from Tai to fight smarter, and to question the authority figures around her from Raven, and after confronting her in the vault is the one who retrives the relic of knowledge.

But, most of the losses our heroes experience are because of Cinder, who is from Mistral, and them falling into her own "trap cards" with the Fall of Beacon being orchestrated by her, killing Pyrrha and Ozpin. And in Atlas the same, with her manipulating Ironwood, undermining the heroes plans to evacuate everyone from Atlas, and killing Penny. She often finds ways to trick and exploit others, and is most dangerous when overlooked and underestimated, like falling into a trap.

Which brings me to Ruby playing as Atlas, where Ruby and Yang have this exchange after Yang's trap card is activated by Ruby:

"Giant Nevermore! If I roll a seven or higher, fatal feathers will slice your fleet in two!

"But! If you roll lower a six or lower, the Nevermore will turn on your own forces!"

"That's just a chance I'm willing to take"

In the Atlas arc (volumes 7-9) the theme of trust and taking risks is very prevalent. Like the move Yang makes in the game it is a risky one, that could end badly for her, but it is one worth taking nonetheless. They take the risk of trusting Ironwood but he ends up turning on our heroes. Oscar takes a risk trusting Hazel and Ozpin, as well as Emerald later on being accepted into their group, and it ends up working out for them. Ruby takes a risky chance in sending a message out to all of Remnant and evacuating Atlas, which saves a lot of people, but they still lose some, including Penny, a dear friend of Ruby's.

"Noooooo! My fearless soldiers!"

"Eh, most of them were probably androids anyways"

"Goodbye my friends... you will be avenged!"

Ruby acts distraught when losing her turn in the game as Atlas, expressing anguish over losing her friends who are described as androids by Yang, just like how Ruby is incredibly depressed and broken after the Fall of Atlas in V9, mourning the loss of Penny, who was both a sentient android and Ruby's friend. (I do wonder if Ruby's comment on avenging her friends might be foreshadowing for her wanting to avenge Penny's death in the future, like how Jaune tried to 1v1 Cinder in V5 to avenge Pyrrha, but I think it's too soon to say)

As a sidenote the fact it is a Nevemore in this turn that has a chance of turning on Yang or helping her is interesting, as it puts me in mind of two characters who can turn into ravens/crows, like the bird and poem Nevermore is associated with. It could pertain to Raven, someone who turns on Yang in v5 during the battle of Haven, but appears to help her and her friends in the V9 epilogue. It could also be about Qrow and his semblance, since during the Atlas arc it begins to evolve so that it is not simply a bad luck semblance, but one that can generate good luck too. In other words he can affect whether the chances are in people's favour or not.

After defeating Ruby (Atlas) Yang says this:

Yang: Not until I draw my rewards! Which are double this round thanks to the Mistral Trade Route!

Ruby: Bah!

Yang: Oh, and what's this? The Smugglers of Wind Path?

Ruby: Bah! Bah, I say!

Yang: I say, it looks like I'm taking two cards in my hand!

After the Fall of Atlas Cinder retrives not one but two relics for Salem, and with Atlas falling into Mantle, two kingdoms are destroyed in one fell swoop.

Then it's Weiss's turn. Weiss is playing as Vacuo, but has no idea how to play the game. Yang takes it upon herself to teach Weiss how to play and what she can do to win the game:

Yang: Well, Weiss, it's your turn.

Weiss: I have... absolutely no idea what's going on.

Yang: (Yang slides up beside her and puts her hand on her shoulder.) Look, it's easy! You're playing as Vacuo which means that all Vacuo-based cards come with a bonus.

Weiss: That sounds dumb.

Yang: See, you've got Sandstorm, Desert Scavenge... Oh, oh! (She pulls up a card to show Weiss.) Resourceful Raider! See, now you can take Ruby's discarded Air Fleet—

Ruby: (crying) Nooo!

Yang: —and put it in your hand!

We know from the end of V9 that what remains of the airfleet of Atlas, as well as the airfleet of Mistral and Vale, have all flocked to Vacuo's defence. What remains of the kingdom of Atlas, the airfleet, but most importantly the people, have now fled to Vacuo and are trying to make a home there.

Yang continues to give Weiss advice on how to win the game to Weiss, building her up, until Weiss starts to get arrogant, believing she's going to win the whole game and is the one in control:

Yang: And since Vacuo warriors have an endurance against Natural-based hazards, you can use Sandstorm to disable my ground forces and simultaneously infiltrate my kingdom! (Yang points a finger at Weiss.) Just know that I will not forget this declaration of war.

Weiss: And that means...

Ruby: You're just three moves away from conquering Remnant!

But then Yang turns on Weiss, activating her trap card, and Vacuo loses.

Since this is may be foreshadowing for the Vacuo arc that we haven't seen yet, I can only speculate what this might mean.

...But judging from the V9 extended epilogue and the books, my best guess would be that if Yang/Mistral is meant to be in part Cinder/Salem and their forces, then Weiss as Vacuo is in part the Crown. In the extended epilogue Jax and Gillian appear to be recieving help from Tyrian and Mercury, meaning Salem has decided to recruit them to her cause.

The Crown wants to restore the Vacuoan monarchy and detest outsiders, especially Atlesians. They do however wish to protect Vacuo from the same forces that destroyed Beacon, aka Salem, and so they are likely going to be manipulated like Weiss is by Yang in the game, being offered aid and giving them advice on how they can win and achieve their objectives, making them believe they can "conquer Remnant", only for them to realise later they were being tricked and used.

"Once again, Vacuo had been isolated from the conflict raging throughout Remnant—only this time it was an opportunity. With the global CCT network disabled, Vale in ruin, Haven leaderless, and Atlas closed off, Vacuo was theirs for the taking. This was likely their last, best chance for a generation. And it was their only hope to defend Vacuo against whomever had been targeting the other kingdoms. In likelihood they had written off Vacuo, like everyone else did, but if they tried to move against the Crown, they would have an unpleasant surprise.

Vacuo wouldn't break this time around."

Weiss: (Weiss stands and a thunder clap accompanies Weiss' overjoyed psychotic laughter.) Y-yes! Fear the almighty power of my forces! Cower as they pillage your homes and weep as they take your children from your very arms!

Yang: Trap card... (Yang's arm appears holding the card.)

Weiss: Huh?

Yang: (Yang shuffles the pieces on the board, Weiss' pieces disappearing in a puff of smoke.) Your armies have been destroyed.

Weiss: (Weiss slumps in her chair, cries and whines.) I hate this game of emotions we play!

Weiss as Vacuo may lose to Yang after realising they've been tricked, but is offered comfort afterwards by Ruby who relates to her losses and empathises with her, which is interesting since Ruby plays as Atlas. So I'm predicting at the end of the Vacuo arc they'll experience somewhat of a loss, whether that's the Crown, our heroes, or likely both, but Atlas will give support to Vacuo and the two kingdoms will come together to heal and ultimately work together, making steps to overcome their tense history with one another.

"Stay strong Weiss we'll make it through this together!"

"Shut up, don't touch me! "

...Which does make Weiss specifically playing as Vacuo especially intriguing, as she is the SDC heiress from Atlas, and Vacuo is a kingdom that has suffered the most in being exploited and colonized for it's natural resources by Atlas. From the epilogue it seems like the Schnees are being confronted directly with all the harm that has been caused by their family and kingdom, so I wouldn't be surprised if Weiss recieves a certain amount of focus during the Vacuo arc in deciding what her legacy as an Atlesian and heiress to the Schnee name will be. Moving forward to make amends, maybe inspiring the citizens of Atlas/Mantle to come together with Vacuo so they can all help and support one another, instead of isolating themselves and suffering alone.

Jaune offers to plays Weiss's hand for a turn also, with Weiss refusing:

Jaune: (Begging with both hands folded together.) Come on, let me play your hand for a turn!

Weiss: I'm not trusting you with the good citizens of Vacuo!

Which is reminiscent of how Vacuo is mistrustful of outsiders, as we've seen in After the Fall and Before the Dawn books.

Yang follows up to say that Weiss attacked her own forces, which could reference the infighting in Vacuo, especially with the Crown.

Weiss: Besides, this game requires a certain level of tactical cunning that I seriously doubt that you possess.

Yang: Uhh, you attacked your own naval fleet two turns ago. (Weiss makes an annoyed sound.)

Overall Weiss as Vacuo recieves the most help as any player during their turn, being taught how to play by Yang, offered comfort by Ruby after losing, and Jaune wanting to help her by playing her hand for a turn. This seems to fit with both how all kingdoms have flocked to Vacuo's aid in response to Ruby's message, but also Weiss as a character, who starts out "the loneliest of them all" but gradually opens up and warms up to other people. The crux of her arc being looking outside herself and at the people around her, relating to their struggles and coming to support them and being supported by them leads to her better understanding herself and becoming stronger for it... Which is kind of what the Kingdom of Vacuo needs to learn too!

Following this is Blake's turn as Vale, which I covered at the start of this post, but that's not the end of Vale's turn. We don't actually see it, but we know the aftermath of the game is this:

Yang: Ugh, we should have never let him play!

Ruby: You're just mad cuz' the new guy beat you!

Blake leaves the game during her turn as Vale, and presumably the "new guy" which is likely Neptune, who they'd just been introduced too, takes over her hand as Vale and wins the game of Remnant overall, even beating Yang and her trap cards. This is likely the endgame of RWBY itself, our heroes return to Vale after the Vacuo arc during the last volume for the final stand, where they win.

How and what that victory will look like I don't know, as we don't see the last turn of the game, so yet again this is even more vaguer speculation. Neptune doesn't really have much plot significance so I can't think there's any meaning to that except that he's a minor foil to Jaune, and the line of it being "a new guy" that wins, so maybe someone who recently joins our heroes side in the final act of the story, possibly Mercury or Cinder.

[maxiemumdamage]

I do appreciate that cases in RWBY where a person sends away their backup and allies because those people are weaker as individuals literally never ends well.

Ozpin might have beaten Cinder in the Vault had he not sent Pyrrha and Jaune away. Pyrrha wouldn’t have died on top of the tower had Jaune been there, as he almost certainly would have unlocked his semblance at the sight of her in mortal peril. Cinder wouldn’t have lost to Raven and Vernal in V5 had she waited and brought Emerald and Mercury (or her whole evil squad) with her.

We constantly see characters, especially the mentors or “stronger” ones, keep their supposed allies away from the fight in the interest of protecting them. But in RWBY, that never ends well. Teams exist for a reason, and refusing backup because you see your friends as weaker only ever buys time before they have to face that same enemy alone.

[anthurak]

So by this point, I think many of us are likely familiar with the idea that the breakup of Team RWBY at the end of Volume 3 is meant to thematically parallel the breakup of Team STRQ in the wake of Summer’s death, ie; Ruby falls into a coma for a few days while Summer disappears and then both their teams fracture. Along with a popular sub-theory that Blake leaving Yang after the Fall is meant to parallel Raven leaving Tai.

But the thing is, if Ruby falling into a coma at the end of Volume 3 is meant to parallel Summer’s (supposed) death and the way this loss caused the fracturing and breakup of their respective teams, then Raven’s actions DON’T really parallel Blake nearly as well as a lot of people think.

And in fact, I feel like Qrow could potentially have paralleled Blake’s actions FAR better.

Like people talk about how Raven ‘abandoned’ Tai just like Blake ran away from Yang after the Fall of Beacon. Except if the point of parallel to the Fall of Beacon is Summer’s death, then the parallel doesn’t work because Raven was ALREADY GONE from Team STRQ by the time Summer disappeared. To the point where Tai, Qrow and Ozpin had (and still have) NO IDEA she was even involved in whatever happened to Summer. Raven can’t exactly have abandoned Tai just like Blake did to Yang if Raven wasn’t even around.

Instead, as I’ve discussed in the past, I think Raven’s actions following Summer’s ‘death’ potentially line up far better with WEISS. Like if it turns out that losing Summer was what actually drove Raven to return to her tribe, then that lines up very nicely with Weiss being taken back to her family/Atlas in the wake of the Fall of Beacon: Both return to the shitty, abusive family that raised them. And given how much of Weiss’s character is tied up in her family and their ‘legacy’, then the way Raven eventually took over her tribe makes her an ideal foil; effectively representing a Weiss who did eventually take over the Schnee family and company, but in the process internalized all the pain and trauma her family gave her.

And as for a cherry on top; if Ruby falling into a coma after the Fall of Beacon is meant to parallel Summer’s supposed ‘death’, then what was one of the last things Ruby did at the Fall?

Run off on a special mission with Weiss, just like we now know Summer did with Raven.

Now going back to my point about how Raven was not even around to abandon Tai just like Blake did to Yang, you know who WAS presumably around when Summer ‘died’?

Yeah; Qrow.

Let’s consider what exactly Blake actually did following the Fall of Beacon beyond just a surface-level reading: Yes, she did go back to her family, similar to what Raven may have done, but given that the Belladonnas are NOT actually shitty and abusive, I maintain that Weiss is still the better parallel to Raven. Instead, let’s consider Blake’s whole arc across Volumes 4 and 5 relating to the White Fang: At first being depressed over loss and perceived failure before being inspired to start working for a better cause, in this case pushing back against and stopping Adam’s takeover of the White Fang.

So I have to wonder; what if this reflects what Qrow did with Ozpin and the conspiracy following Summer’s ‘death’? Maybe Qrow and his teammates had helped Ozpin in the past and knew what he was doing, but what if THIS was the point where Qrow became fully committed to Ozpin’s cause and joined the Ozluminati full-time? Perhaps seeing it as a way of ‘honoring’ Summer’s memory.

Instead of staying with the one teammate he had left (and possible partner) who was now in a massive depressive spiral AND had two kids to take care of.

It starts to make Qrow and Tai feel a lot like Blake and Yang, doesn’t it?

This is one of the big reasons why I think Qrow and Tai are the REAL foil to Bumbleby on Team STRQ. They effectively give us a look at a version of Blake and Yang whose relationship failed. Or rather, were never able to ‘take the next step’ and actually form their relationship.

Qrow is a Blake who fully internalized her self-loathing and belief that she didn’t deserve Yang or that Yang was better off without her and has simply been pining for Yang from afar.

Meanwhile Tai is a Yang who likewise fully internalized her fears of abandonment and fully resents Blake for leaving her or may not have ever even fully recognized her feelings for Blake in the first place.

Essentially, Qrow and Tai are the version of Blake and Yang who weren’t able to work through all the problems, issues and baggage which allowed them to actually start their relationship. Like a Blake who didn’t get that vital pep-talk from Sun at the end of Volume 4, or a Yang who likewise didn’t get that vital talk from Weiss in Volume 5.

Which in turn leads us to what I brought up earlier with Qrow joining up with the Ozluminati full-time, essentially representing a Blake who threw herself into reforming the White Fang instead of returning to Team RWBY and reconnecting with Yang. Meanwhile Tai simply throws himself into a deep depression, grief and ‘moping’, ironically all the things he would later accuse Yang of doing (at some point I’m going to do a post on just how much PROJECTING Tai has likely been doing…)

So now Qrow and Tai have this low-key toxic relationship where Qrow is more-or-less aware of Tai’s extremely dysfunctional parenting but has also been enabling it and a lot of Tai’s unhealthy coping mechanisms over the years because he’s been pining for Tai ever since their Beacon days and still is pining in a very depressed, self-loathing ‘I don’t deserve him/to be happy’ way and also doesn’t want to risk conflict with his former partner and also the only teammate he has left.

Thus Qrow keeps his distance and just goes along with Tai’s dysfunctions and/or lets Tai push him away. Which in turn just reinforces Tai’s abandonment issues.

And Ruby and Yang are still stuck with utterly dysfunctional parental figures.

Oh, and if you need more proof about the deliberate parallels between Blake and Qrow…

Then how about the whole damn song where they sing about how they’ve always felt terrible about themselves but now things are looking up for them.

[matt0044]

Regarding the "Does RWBY like women?" poll (yes, yes it does BTW).

You know... the whole poll debacle reminded me of something.

RWBY helped me expand my media diet by telling me that just because people hate something enmass, it could just all be bullshit coupled with mob mentality.

Instead of hatedoms getting me to think:

"Damn, I don't even wanna be associated with that show based on the rage it inspires."

My more skeptical brain is like:

"Okay, so why is it reeeeeeeally hated? Is it reeeeeeeally bad or are people going along with the crowd because critical thinking is too much of a burden in this capitalist hellscape?"

Because bad media literacy is in part a result of the fact that most geeks and normies alike aren't out to be legit critics but rather just want to enjoy the thing, gush about the thing and so forth. They can't exactly articulate their reasonings why like they're trying to get an A+ in Therapy Studies.

And THAT is how the YouTube Video Essay and Angry Critic scene takes off.

We dunk on the Nostalgia Critic (often for VERY real IRL grievances) but his catchphrase: "I remember it so you don't have to" is something many who'd come after would take to heart. These video maker people are taking about a thing you like and are explaining it in a way you not only agree with but makes you feel vindicated.

Be it for love... or for hate.

Because hatedom circles like the RWDE looks to video essays that reassure them, keep them from doubting their stance on the thing and how they enforce it.

With the burden of actually seeing the thing and thinking hard taken off of them, people can confidently say things like "RWBY prioritizes Jaune" despite not looking at any potential evidence in the show that might contridice it.

Which is why this is a call for everyone to question the popular opinions.

Does Jaune Arc reeeeeeally get that much narrative importance at the expense of the main girls?

Was Jaune reeeeeeeally a self-insert?

Was Ironwood reaaaaaally derailed in his character arc?

Was Adam reeeeeeeeally representative of the Faunus?

Was the Faunus reaaaaaally offensive?

And of course...

Was Monty Oum reeeeeeeeally the only one who's vision matter to the show above all else?

Ask yourself these questions and do the work to back them up. If people are giving you responses that contridict you, responses that take evidence from the work itself more often than not, then try to do the same in turn.

Think about that show or movie being panned? What if... you actually like it?

Not everybody is a critic... but we can at least try to.

[wixhing0nastar]

I wanna talk about Blake’s body language around Yang these last two episodes, cuz I think it’s fascinating how open it’s been compared to normal. Like...

This is two episodes in a row where Blake’s body language is uncharacteristically open towards her, three if we count this.

(Which absolutely we should)

But especially those first two poses are very vulnerable body language-wise, which is something we rarely see from Blake. In fact, her signature move body language-wise is this...

Which is very pointedly closing herself off from her surroundings and others, and despite the progress they’d made, she was still doing this around/because of Yang in V7/8.

And Blake has had every reason to be cautious, given what she’s gone through. Which is why this shift is so special.

Not only has Blake’s body language opened up significantly, but she’s pointedly placing her hands behind her back as she does so (and in the case above, also very much getting into Yang’s personal space).

Which is important to note, because in doing so, she makes it much more difficult to defend herself should Yang lash out at her physically (not that she ever would) and more difficult to self-soothe in case of a verbal/emotional conflict.

But now she’s done giving all those concerns a second thought... cuz Yang isn’t scary. And Blake’s tired of Adam’s ghost trying to tell her that she is.

(Thanks to @phazonfire and @chittychittyyangyang for helping me find all the Blake pics I needed).

[iamafanofcartoons]

I wanna thank @tumblingxelian, @markzschiegnerii and @marylizabetha for their videos explaining why RWBY is a fun and enjoyable show that is worth watching, or at least giving a chance.

This video is a compilation of their youtube videos which you should give a watch and subscribe. As to why I'm doing this? Because All we're saying is....GIVE RWBY A CHANCE.

You can also hear from the RWBY Fandom themselves at http://www.tumblr.com/iamafanofcartoons/729899953876566016/rwby-fans-talk-about-what-makes-rwby-enjoyable-for

[moonsandstar-s]

V9E6 analysis of our favorite scene / credit to @SAlle1304 on twitter <3 

[bluecheeseinmyoffwhites]

Hello, saw your posts about RWBY Characters' Allusions. A question, does team rwby have another character allusion?

A lot of characters have more than one allusion, and team RWBY is no different. These allusions often have a character fill a complementary role of a significant figure in another fairy tale.

Let's start with Ruby Rose. She is of course Little Red, but there are also other characters she embodies. The Wolf in the story is known for his big & shiny eyes, a very notable feature of Ruby (that was pointed out by Ozpin in the first episode, just like the fairy tale). She is also her own huntsman, equip with an "axe" weapon of her own.

Weiss Schnee is Snow White, but also takes other roles of the story based on her summons. Her Boartusk represents the huntsman, who killed a boar to spare the princess. Her Knight represents the noble prince who saves her. Her Queen Lancer represents the Evil Queen who plagues her. Weiss seems to take after the Evil Queen the most, with her friends often referring to her as "Ice Queen".

After reading those first two, you can probably now understand why Blake is based on both Beauty & the Beast. She has Belle's beauty, part of her name, her love for books, her relationship to "Adam" and her tendency to run away. But like the Beast, she has animal traits that she hides, is haunted by a rose, prefers living in isolation, and eventually falls in love with a human girl. She is often seen in Forever Fall, a forest with wilting red flowers, representing the wilting rose that curses the Beast.

Yang is Goldilocks with her destructive nature & yellow hair, but can also be seen as Baby Bear, the child of the Papa (Taiyang, blue eyes) & Mama (Raven, red eyes), resulting in Yang being a mix of both (purple eyes). Each parent compares Yang to the other, and she learns to embrace the good and bad traits of both in order to become "just right".

The tale of Rose Red & Snow White, two young girls based on Little Red & Snow White, can be the inspiration for the partnership between Ruby & Weiss. The two were sisters, which is represented by the ever-growing bond between Ruby & Weiss. Weiss's fairy tale, Snow White, could also be the reason for Ruby's theme, Red Like Roses, which is how the Evil Queen described how red she wants her lips in the original tale (in some stories she compares it to blood in the snow, both line up perfectly with the Red Trailer & Players & Pieces).

Weiss also represents the story of the Snow Queen. She is called Ice Queen. She has a male companion (Kai/Whitley) who is cold, distant, & rude. She sets off to find the Snow Queen (Winter) in V5, during her trip she meets a talking corvid (Raven) & a robber maiden (Vernal). Weiss also gets pierced by evil glass like Gerda.

Gerda’s most cherished memories is being young playing in the rose gardens with her friend. They shared many happy memories here. This rose garden takes the embodiment of Ruby Rose, who befriends Weiss & takes her on adventures. Weiss reminisces about Ruby in V4 after the attack on Beacon, missing the days when they had fun together. A frozen rose garden is seen in Weiss Character Short, representing her longing for Ruby (innocence, fun, freedom).

Blake & Yang have so many allusions when it comes to their relationship. Start with Beauty and Beast. Blake already shows traits of both Belle & the Beast, but Yang does as well. Her affiliation with yellow, adventure, bright energy, & beauty is reminiscent of Belle. The Red Trailer even directly ties her with Blake, calling her the beauty to her beast. Yet Yang also displays signs of the Beast, most notably her behavior when she is angry. She sparks fire red eyes similar to the monstrous Grimm they fight, and is the most aggressive fighter of the group. She receives an injury on her arm identical to the Beast. Most importantly, she is abandoned by Beauty in V3. This theme of having similar & different traits within one another ties into another dynamic that will be explained later.

There are two roses that bring them together. They meet through Ruby, the good rose Yang gives to Blake. Adam is the bad rose that Blake tries to keep away from Yang, but he breaks them. Adam starts off as the Beast (Adam) to Blake’s Beauty. Once she leaves him (like the fairy tale) he then embodies the Rose that haunts her. Once he meets Blake’s new partner, he then becomes Gaston & adopts his jealousy. Once Blake & Yang defeat him, they free themselves from the curse and come back to the Good Rose.

Blake & Yang also represent the Yin & Yang dynamic. We have the darkness (Blake) and the light (Yang), with a little bit of each other in each (matching eyes). Many cultures depict Yin as a tiger (Blake's cat ears) and Yang as a dragon (Xiao Long). The themes of darkness and light has been associated with Blake & Yang since their trailers. Blake engulfs in darkness when she leaves, while Yang brings light when she enters (kind of like their semblances). Scenes with Blake & Yang play with lighting a lot (2x06, 6x01, 9x06), and fights involving them often have them circling around each other or moving across each other, just like the Yin Yang Symbol.

Team RWBY as a whole also has references. One commonly known reference is the Wizard of Oz crew, with Ruby acting as Dorothy (who had Ruby/Silver slippers). Weiss is the Tin Man who gains heart while the real one loses it (Ironwood), Blake is the Lion who gains courage while the real one loses it (Lionheart), and Yang is the Scarecrow who learns to fight smarter while the real one acts irrationally (Qrow). These four adventurers set off to Beacon (Land of Oz), meet the Wizard (Ozpin), and get their wishes (graduating). They are told to stay on the Yellow Road, but fail.

The team's respective Remnants also allude to their fairy tales. Ruby sheds roses, representing her red color scheme, her youthful innocence, and the flowers Little Red picks for her grandmother. Weiss sheds snow, representing her white color scheme, her cold attitude, and Snowhite's soft skin that gave her the name. Blake sheds shadows, representing her black color scheme, her dark personality and background, and the Beast condemned to the shadows. Yang sheds fire, representing her yellow color scheme, her bright but scorching personality, and the porridge Goldilocks claimed was "too hot".

Ruby represents multiple figures from others characters’ allusions. Penny is based on Pinocchio, who wishes on a Shooting Star to be a real human. Ruby, who is often characterized as a small flickering light (literally & figuratively) she represents the star that Penny wishes for & makes her feel human (literally & figuratively).

2x07 Dance Dance Infiltration is a retelling of the Cinderella story. The maiden is told she needs to return by midnight, puts on a disguise, & goes off. Ruby tracks her, Cinderella enters the stage, the two dance, and she leaves without a trace. Ruby in this case represents the Prince that wants to find the mysterious maiden he danced with the night before. His only clue was her missing glass slipper. Cinder fights with glass, a point Ruby reports to her professors as information to track her down.

There's a lot more micro references to other fairy tales but these are the most notable for Team RWBY. These references influence how a character is portrayed, how they interact with others, and the actions they take.

[sunnysunsins]

Since i posted Jaune's full, have girlies too. Also as a bribe to watch my reboot series. It's not a soyboy fanfic rewrite, it's a balanced character analysis with occasional sass

[lunaefall]

The Red Flags of Ruby's Suicidality Throughout The Volume

It should be obvious, but this short essay will cover heavy subjects of suicide, so if you're uncomfortable with this subject matter please don't read this.

The first red flag was in episode 4, where Ruby contemplated erasing her current self due to her failures, after talking to her 'past self'.

This gets reinforced by the lyrics of Trapdoor, which is about how worthless and unneeded Ruby feels.

One common mindset among suicidal people is this: what if I'm useless? What if my friends don't need me anymore? What if they don't care about me? What if I'll keep ruining everything? Would the world be better without me?

Suicidal people are usually full of self-loathing and blame.

Even in the episode 7 fight Ruby felt useless after seeing C-PTSD red flags (they're not Neo hallucinations because she didn't see the Schnee manor grounds struggle with hacked Penny). In her eyes, the others are fighting well without her, so she's useless.

Another set of red flags is snapping at your loved ones, pushing them away and driving yourself into isolation. We see ALL these in episodes 7 and 8, with Ruby snapping at her friends and running away, and even pushing Little away.

And on top of it she feels like her friends don't care, the world is against her, etc. which is YET another red flag.

(Massive disclaimer that this is NOT anti WBY and they, especially Yang, tried to reach out to her throughout the volume.)

I'd like to mention that if your loved one attempts and you tried to help but couldn't do it, it is NOT your fault. We're not all experts and we try our best, so do not ever blame yourself for these things.

It's not uncommon for suicidal people to refuse help, and on top of it Ruby has always been selfless to self destructive levels.

And the last thing, her self blame over her loved ones dying. While Penny and Pyrrha were apparitions, they still reflected her self blame. And Little dying? The final straw.

So her suicide attempt in the end was being built up all volume.

All I can say is that I hope Ruby somehow gets rescued and also recovers from her mental health problems because JESUS CHRIST.

This was a bit hard for me to write, especially as someone with BPD and frequent suicidal tendencies. This topic hits hard for me. However, I'm not an expert and this post shouldn't be taken as gospel. There may be details even I missed, so feel free to add your own observations.

And remember that if you are suicidal as well, you're not alone. You'll always have people who care about you, and resources to help out.

[misstrashchan]

The Little Prince and the Ever After

So it was confirmed a while ago that Oscar's allusion is the Little Prince, which many Oscar fans and Rosegarden shippers in particular where theorising back in V6, with Oscar's crush on Ruby Rose being proof that she was the Rose that the Little Prince loved and cared for. Both @conehatcryptid and @chaikachi have written wonderful posts about Oscar's allusion to the Little Prince here and here.

However, after V9 I'm inclined to think both Ruby and Oscar interchangeably play the roles of the Little Prince and the Rose, in much a similar way that Blake and Yang both interchangeably are the Beauty and the Beast (Blake's surname means beautiful woman, and she likes to read like Belle, but she is also the Beast who wishes to redeem themselves, and is a literal Beast as a faunus "black the beast descends from shadows". Yang is introduced as the "yellow beauty burns gold" and wishes for a life of adventure like Belle, but she is also the Beast, being left by their Beauty and having a fiery temper).

This is in part theorising/speculation, as V9 obvious main allusion is Alice in Wonderland, and the similarities I see maybe coincidental, since both stories deal with similiar themes. Both stories have a child that travels to strange lands to meet characters that represent the misgivings and absurdity of adult society and the pressure to conform to these as you grow up, and the confusion as to who you are and should be that follows.

Alice's journey to adulthood is a path that takes her from a confused child changing size and unaware of her true identity to an assertive girl scolding the immaturity of the Mad Hatter and ends with Alice being brave and confident enough to confront the Queen of Hearts.

The Little Prince's story is about the importance of reconnecting with your inner child as an adult/someone growing up.

"No! I will grow up, but I'll never forget about being a child!"

In V9, Ruby must grow into an adult like Alice does, but also reconnect with her inner child as she does so like in the Little Prince.

RWBY is known for its multilayered literary allusions, and Oscar, the Little Prince, does introduce us to the story The Girl Who Fell Through the World in V8, which is Remnant's version of Alice in Wonderland. Not to mention Ruby and Oscar's arcs are intentionally foiled, so maybe it's not coincidence. It's entirely possible with how V9 also appears to be following the story of the Little Prince too. While Ruby is in the Ever After she travels through the different acres like the planets the Little Prince visits, meeting similar characters.

She is confronted with the question "what are you" on an existential level:

Little: What's wrong?

Ruby: Have you seen other people- humans- like me?

Little: Exactly like you?

Ruby: No, not exactly like me. We're similar, but different.

The Little Prince:

"Good morning" he said courteously.

"Good morning--Good morning--Good morning," answered the echo.

"Who are you?" said the little prince.

"Who are you-- Who are you-- Who are you?" answered the echo.

"Be my friends. I am all alone."

"I am all alone-- all alone--- all alone" answered the echo.

She meets Little (as in "Little Prince" as well as "Little Red Riding Hood" and "Alice Liddell") who is meant to symbolize Ruby's inner child, as the Little Prince reminds us of the inner child we have forgotten as we grow up. Both Ruby and Little "die" in a sense as the Little Prince does, but ascend and come back.

In fact the whole way ascension is described in the Ever After is on par with how the Little Prince and the Snake describe how they will leave their body as an empty shell behind to go back home, being "called back" home to the Tree.

"It'll look as if I'm dead and that won't be true, this body is simply an empty shell, I can't take it with me"

Purple Paper Pleaser: Then, the wisest of our village suggested breaking from our physical forms, so that the winds may carry us back to the Tree.

...Which leads me to how the Curious Cat and Neo are both the Snake who convince Ruby/the Little Prince to "die".

We get Cats and Snakes being linked together early on in the first episode of v9:

Mouse Leader: You have our sincerest apologies! Please understand that our kind is a bit skeptical of cats… and snakes… and cats.

This stuck out to me considering this is foreshadowing of the Curious Cat being the main antagonist of the volume, but we don't ever see any snakes in the Ever After.

The Curious Cat's first appearance is akin to the one of the snake in the Little Prince movie (2015) of two eyes peering out at the Prince

The Snake is a character who speaks in constant riddles and is confident they have all the answers to life's mysteries, similar to how the CC knows so much but is incredibly cryptic in how they speak. The snake is also meant to represent the inevitability of death, and part of the CC purpose is to help the inhabitants of Ever After to ascend, which is a process of death and rebirth.

Curious Cat: Mmmm, when we break or wear out or simply finish what we were made to do, we’re called back. But Herb… his heart was too weak to listen, so I gave him a little bit of mine.

Blake: Is he… dead?

Curious Cat: (chuckles) No, no! Well, maybe a little bit, but not at all.

When it comes to Neo being the Snake, she manifests her illusions of the Jabberwalker to terrorise RWBYJ after killing it, the one being capable of dealing permanent death to Ever Afterans.

She's also the one who offers their "poison" to the Little Prince, (the tea made from the leaves of the Tree) which they accept.

Additionally the way the Curious Cat enters Neo is like that of a snake slithering inside her. Once the snake bites someone, they are described as becoming an "empty shell", and the CC is looking for an empty human vessel to possess, while Neo wants to destroy Ruby and make her feel empty.

Curious Cat: You’ve lost something most important, haven’t you? And now you have nothing left. How delightful! An empty host, perfect for me to fill.

Neo-Torchwick: You don't deserve to die Red! You deserve to be broken down... torn apart... wiped from existence.

And when the Little Prince believes their Rose has perished (Penny) or will perish (Oscar), because of them, they give themselves over to the Snake completely.

But, Neo and the CC also play into the Fox allusion as well. The Curious Cat's ability to give his heart and understand others is similar to the Fox's sentiment in the book, who tells the Little Prince the importance of taming, and of looking with the heart:

"Now here is my secret. It is very simple. It is only with one's heart that one can see rightly. What is essential, is invisible to the eye."

"Men have forgotten this basic truth. But you must not forget it. For what you have tamed, you become responsible forever. You are responsible for your rose..."

Curious Cat: I know, Your Majesty, it truly isn’t fair. You must play your game and win at any cost. It must hurt your heart. Let me help.

Curious Cat: But Herb... his heart was too weak to listen, so I gave him a little bit of mine.

He "tames" the Red Prince in managing to calm him down from executing RWBY to just exiling them.

He helps Herb to "see with the heart" when he becomes blind to how he has stagnated and forgotten his purpose in being overwhelmed by his work.

The Fox is meant to show us the importance of the patience and compassion that is needed to understand and connect with others, to reach out to them. This is part of the CC purpose in the Ever After in fixing those who are broken, but becomes the negative declination of this in becoming manipulative over time. (like him "taming" the Hawker to make him do his bidding)

Neo is like the Fox in that she dislikes hunters (huntsman and huntresses) and she has lost the person who has tamed her, who was "unique to her in all the world" with Torchwick. Part of what escalates Ruby's conflict with her is that she does not take the time to understand and empathize with her:

Ruby: Is that seriously what this is all about? You still blame me for what happened to Torchwick?!

Neo-Roman growls

Ruby: If you’re looking for an apology, you’ve wasted your time!

and much like the Fox points out here:

"One only understands the things that one tames... Men have no more time to understand anything"

And that it is only when Ruby takes the time to understand Neo towards the end that shows how she has started to grow, to understand the importance of looking with the heart, the very first step of "taming".

"You must be very patient. First you will sit down at a distance from me-like that- in the grass. I shall look at you out of the corner of my eye and say nothing. Words are the source of misunderstanding"

(...I believe this will continue on in Remnant with Mercury and later Cinder)

The idea of intertwined allusions of the Fox and Snake with the CC and Neo in V9 interests me. Because it makes me wonder if my theory/prediction on Emerald/Mercury both being the Fox to Oscar's Little Prince may not be entirely right, but that they will both be the Snake also. If they are it will likely be an inversion, with the Prince (Oscar, and maybe Ruby) helping the Fox (Emerald) realise the importance of "taming" (taming Mercury, specifically) while the Snake may play a more positive role in saving instead of killing.

After all, the baobab tree roots in the book are meant to consume and threaten to kill the rose if she is neglected too long, and while Ruby is consumed by the Tree in the Ever After that very much resembles the baobab, and she does "die" in a sense, the tree is a positive force that helps her to be reborn and grow into her true self. So, Emerald/Mercury could have a similar duality in alluding to the Fox and the Snake, capable of killing and saving the Little Prince.

@aspoonofsugar I think has mentioned Emerald's design resembling a snake puts me in mind of this, plus Mercury's main allusion being, well, the god Mercury, whose symbol is this:

A staff with wings and two snakes entwined around it. His emblem also features wings, and like a snake he technically has no legs (in a symbolic sense too, his lack of semblance and agency, the freedom to be his own person) Alchemically I believe the mercurial character is meant to shift between life and death also? So there is something there in how the Snake simultaneously saves and kills the Little Prince. (also this is me really really stretching here with my red string but. The Curious Cat. Like Mer-curius. Mercury. Both the Snake for Ruby and Oscar.)

Depending on your interpretation of the stories ending, the Little Prince ends up dead because of the Snake's bite, or the Snake genuinely helped him return home and be reunited with his Rose. Mercury/Hermes is said to be able to travel anywhere, any plane of existence without limitations, which has lead to theories of Mercury's semblance being flight or teleportation, which, well, in relation to the Snake aiding the Little Prince:

"I can carry you farther than any ship could take you," said the snake. He twined himself around the little prince's ankle, like a golden bracelet. "Whomever I touch, I send back to the earth from whence he came," the snake spoke again. "But you are innocent and true, and you come from a star . . ."

This is of course just me going off on another theory for funsies, but it would be interesting if Mercury was placed in between a choice of killing or saving the Little Prince and helping reunite him with his Rose. How Emerald and Mercury would save Oscar/help him and Ruby is unknowable. They could be save their life, help delay the merge, or just helping assure him of his own personhood and agency (this could be explored through how both Mercury and Oscar lack semblances relating to the "curses" placed on them in relation to their father figures), or something else entirely, but either way I'm pretty confident they'll have a significant role to play in the Vacuo arc.

I am aware most Rosegarden fans are mainly theorizing Tyrian as the Snake, (I've even seen some say Ruby is the Snake as well as the Rose, with a similar sentiment of the Snake being capable of saving/freeing the Little Prince, not killing him) especially since the first scene Oscar is introduced is him waking up from a nightmare following Tyrian being sent to capture Ruby Rose, as well as like, him being a venomous scorpion faunus present in the desert right now. But even that only makes me more certain in a way since Tyrian is meant to be Mercury's dark foil (and the antagonistic mercurius for Emerald/Mercury) accompanying him into the desert. So like, it Could Be Both.

Ruby also meets a King/Narcissist like in the Little Prince (the Red Prince). The Narcissist demands to be complimented and coddled, much like the Red Prince. The King is drawn wearing a crown too big for him (in the 2015 movie adaptation it is constantly crooked and threatening to slip off his head), similar to the Red Prince.

The King claims absolute authority, that what he says will happen if he orders it so. However this is untrue, as he will only order what will already happen. The Red Prince claims he always wins his games, but the board game he plays with RWBY is already in his favour as the pieces on their side throw the battle so he can claim victory. Both cheat and find loopholes in order to maintain their superiority over others. The King symbolizes rulers who make a big deal about the power they have, but who in actuality are pretty ineffective as rulers and will cheat and find loopholes to justify their power. It also mocks their grandiosity and showiness, which is kind of funny because they think they are way more important than they actually are, all of which fit with the Red Prince (...and with two other characters that were significant during the Atlas Arc *points at Ironwood and Cinder* even moreso after episode 3 of RWBY Beyond)

The Lamplighter, whose job on his tiny planet is to continuously light and snuff out the single lamp, but because the night and day cycle is so short he essentially never rests and is caught in this loop, always stuck working and nothing ever changing. Jaune as the Rusted Knight is stuck doing the same jobs everyday in a Sysiphus task of preventing the Paper Pleasers from ascending, and rests very little. He is also the Geographer, who maps out other planets but can never travel himself (because he is too busy drawing maps) and suggests to the Little Prince to visit Earth (the acres that Jaune maps out but has yet to properly explore because he can't leave the Paper Pleasers, is trying to find a way back to Remnant, their "Earth").

Another interpretation is the Lamplighter as the Caterpillar, who similarly has a neverending and thankless task of helping the Afterans ascend, and has stagnated as a result.

The Stars are not a character in the book perse, but they do come up a lot both in RWBY and in the Little Prince, especially when it comes to the theme of death and rebirth, and grief. In V9 in the Ever After we meet the Paper Pleasers (origami stars) that Jaune is desperately trying to stop from ascending, essentially keeping them trapped as he monitors them. There is a character in the Little Prince that obsessively monitors the stars and keeps them trapped, the Businessman. It is pointed out by the Little Prince that while the stars make him rich, the Businessman is of no real use to the stars.

In much the same way the Paper Pleasers do not need Jaune as much as he needs them to prove his own worth.

The climax of the Little Prince movie (2015) adaptation is the stars being freed from their entrapment, ascending into the sky, free from control, by the protagonist who is a young girl trying to break free of the expectations placed on her by adults as she grows up, is like one of the stars herself, rising into the sky.

The paper pleasers ascending, while initially seen as tragic, in actual fact allows them to grow and be more, and the Genial Gem that appears to once have been the Paper Pleaser called Ruby is the one who explains this process to WBYJ as they are worried about Ruby and how the process of ascension will affect her.

The Pilot is likely WBY, as for them Ruby is like a younger sibling to all of them who helps them reconnect with their inner child early on in the story, much like the Little Prince does for the Pilot. For Weiss, Ruby helps her connect with her inner warmth and heart. For Blake, she helps reignite her lost idealism. For Yang, she is her inner child to nuture, the one who lost her mother. The author Antoine Saint-Expury based the character of the Little Prince on his own younger brother who died, and that the Pilot as the narrator of the story is himself as an older sibling remembering and grieving for them. When WBY all watch Ruby drink the tea, it mirrors the scene where the Pilot watches the Little Prince give himself to the Snake, and is too late to intervene, particularly for Yang.

Their body disappears, and it is uncertain whether the Little Prince has died or found their way back home to their planet, and to their Rose. For Ruby, it is both. She dies and was reborn, literally reclaiming Crescent Rose and regaining her Rose emblem, she reunites with her Rose, her own sense of self. And in her ascension is able to come back to defeat the Curious Cat, and return home to Remnant with everyone. (coincidentally I think this is how Oscar's story will go, he will sacrifice himself to the Merge fully and "die" in a sense, momentarily, but return fully to himself later on, reuniting with both his sense of self and his Rose, Ruby Rose).

Oscar is also Ruby's Rose in a sense, someone she has tried to protect and care for. Even the pattern on the back of his outfit can be seen as the stem and thorns of a rose, like Ruby's hood can be seen as the petals of a rose. The Little Prince believes that if the Rose is left alone, then it will be his fault if they die:

“If some one loves a flower, of which just one single blossom grows in all the millions and millions of stars, it is enough to make him happy just to look at the stars. He can say to himself, 'Somewhere, my flower is there...' But if the sheep eats the flower, in one moment all his stars will be darkened... And you think that is not important!"

"He could not say anything more. His words were choked by sobbing."

When Ruby cuts down an illusion of Oscar, killing him, it is foreshadowing that Ruby is afraid she will not be able to save Oscar from his fate. This is the final breaking point for her (along with Little's death) that leads to her drinking the tea.

...But as much as I am a Rosegarden shipper, it's actually her mother Summer Rose and Ruby's identity that is the main "Rose" to her Little Prince in V9 that she becomes separated and united with, imo.

She learns that their Rose (Summer, and themselves) are not uniquely one of a kind, but "like any other common rose" the same as all the other hunters represented through their weapons in the Tree with the blacksmith. Like the Little Prince in the Rosegarden:

"Good morning" said the roses.

The little prince gazed at them. They all looked like his flower. "Who are you?" he demanded, thunderstruck.

"We are roses" the roses said.

And he was overcome with sadness. His flower had told him that she was the only one of her kind in the whole universe. And here were five thousand of them, all alike, in one single garden! ... Then he went on with his reflections: "I thought that I was rich, with a flower that was unique in all the world, and all I had was a common rose."

Not in the sense of being a SEW who believes they are the only one of their kind, but that like her mother Summer Rose, or any other huntress or huntsman that has lived (represented through the weapons she looks at, and her saying they all have the same weight to them) she is not perfect, or unique in always knowing the right thing to do and being a flawless shining hero. Ruby thought the ideal of the hero Summer Rose she carried and tried to emulate was unique and special, what made her "rich" in the sense it defined her self worth, but she was a "common rose", a person, a human being, just like Ruby. Being like any other common rose means Summer is much like Ruby herself, just a person trying their best, with their own flaws and burdens to carry. Ruby leaves the Rose behind initially (gives up her Rose emblem that Summer left her, rejects Crescent Rose) and the pedestal she puts her on shatters, becoming disillusioned with Summer like the Little Prince does with his Rose, specifically after finding out that they lied.

Ruby: What? What was that? She… She lied. She left with Raven. Why would she…?

Blacksmith: Who knows why people keep the secrets they do. Maybe you’re not the only one who has felt the weight of other’s expectations. Like Alyx, like your mother.

What makes Summer unique to Ruby is not her being an ideal hero, but the love she had for her as a mother, and that in of itself is incredibly beautiful and powerful, because it helps her realise and affirm her self worth.

Summer: (voice) I love you…

Ruby turns to see the red glowing light behind her.

Summer: (voice) Just the way you are.

"Of course I love you," the rose said to him. "If you were not aware of it, it was my fault"

Much like the Little Prince learning and understanding that his Rose is unique to him, not because she is one of a kind, but because of their time shared together, loving and caring for one another. That it is our ties to people that makes us special and unique in the world, to the people we are connected to and choose to care for, more than any power or titles do. Which goes back to the source of Ruby's power as a Silver Eyed Warrior, her love and compassion of those around her. The true power of humanity.